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- Oil Painting GIFT VOUCHERS NOW AVAILABLE -
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Odourless
and Non Toxic Oil Painting
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Both created with this amazing product - More oil paintings can be viewed in our Gallery. |
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| The Discovery of a New Fine Art Oil Paint Unlimited Colours Always Available Within the Reach of a Brush
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| Product Technical Information | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Oil or Acrylic Other paints have very different chemistries from Genesis® Oil Paints. Do not mix Genesis® Oil Paints with other oils or acrylics because the results are unpredictable. Since Genesis® Oil Paints do not air dry, you do not have to clean your brushes even if you will not get back to painting for days, weeks or even months. When cleaning brushes for quick colour changes, simply wipe off excess paint, swirl in rubbing alcohol or Genesis® Brush Cleaner, wipe and repeat. The alcohol quickly cleans and evaporates out of the cleaned brush. You may also clean brushes by using warm water and soap, such as Dawn dishwashing detergent. Dry your brushes thoroughly after cleaning. While Genesis® Oil Paints can be thinned or cleaned with solvents commonly used with oil pants such as paint thinner, turpenoid and mineral spirits, these solvents are not necessary. Most artists prefer rubbing alcohol or non-toxic Genesis Thinning Medium. Genesis® Oil Paints are not water soluble. Certified
Non-Toxic Developed and patented by professional artists, Genesis® Oil Paints offer the look and feel of traditional oils without the drying time restrictions, toxicity and odor. Genesis® Oil Paints contain a heat activated curing agent that allows for on-demand drying. However, since they are a completely new medium, in spite of the similarities to regular oils, they also have special characteristics of which the artist can take advantage. One of the characteristics of Genesis® Oil Paints is that they are thixotropic, therefore although they may be thick and like stiff paste in the jar, it only takes a little stirring or mixing with the spatula, for them to become soft and malleable. Application by spatula or brush is done very easily at this point, even when using the impasto, thick application technique. This painting can be used without having to add any thinning or other mediums. Thin coats of Genesis® Artist COlors are also possible by using the paint straight from the jar. The advantage that Genesis® Oil Paints have when working in thin overlapping layers is that you can dry the painting between the layers, thus application can go on smoothly without pulling off the pre-painted surface or intermixing with it. In case of regular oil, you would have to wait until the first layer is dry before continuing the painting, which would take time. Because Genesis Oil Paints do not dry on their own, they require cleaner work habits. One good method is to use paper towels to wipe the brush while working, then dispose of the dirty towel often. A rag is not practical to use with Genesis® Colours because it will transfer the wet paints to your hands, clothes and eventually to things around you. Genesis®
Mediums Genesis®
Thinning and Glazing Mediums Transparent washes can be achieved by adding the Glazing Medium. Glazing Medium gives you a good layer of paint and the transparency that you need. If you like to paint with a thinner consistency, you can add a small amount of Thinning Medium. This medium is very efficient so additions must be very small. Do not add more than 40% of these mediums to the paint. Genesis®
Thick Medium Using
Oil Solvents Varnishes Genesis® Colours and
Pigments Choosing a Substrate Test heat stability over multiple drying sessions. Certain substrates that might release moisture when heated should be pre-dried as the moisture may result in bubbling and poor adhesion. Choosing
a Drying System In deciding how to dry your painting, consider 1) the sizes of your work; 2) the thickness of paint you are using; and 3) the substrate surfaces upon which you are painting. Whatever heat source you choose, you must be able to heat the paint and substrate to at least 250°F (121.1°C) and not exceed 280°F (137.7°C). Heat guns such as the GMC Drying Gun are ideal for drying small areas or only part of the painting. If your painting is a size that will fit into your oven, this may be your best choice. If an oven is not convenient or you would rather dry your paintings where you are working, drying boxes or radiant heat sources are recommended. After you have chosen a drying method, two considerations affect the complete curing of your painting: time and temperature. Experiment before starting a painting. YOu will quickly find the drying method best suited to the style and size of the painting you want to complete. Always ensure you are using a heating method that will get the painting to a temperature of at least 250°F (121.1°C) but not exceed 280°F (137.7°C). Depending on the thickness of your paint and the nature of your substrate, you will want to dry your paint for 15 minutes for the first thickness up to 1/4 inch (0.6 cm), and dry another 15 minutes for each additional 1/4 inch (0.6 cm). The required temperature can be achieved by any method that heats the paint to 250°F (121.1°C) - 280°F (137.7°C) and maintains the heat long enough for the thickness of the paint to be penetrated. Drying
Characteristics of Genesis® Oil Paints Genesis® Oil Paints utilize a non-drying synthetic oily liquid, embedded with a heat sensitive curing agent. Genesis® Oil Paints stay wet until heated enough to activate the curing agent. After the drying temperature is reached, Genesis® Oil Paints dry immediately. For thin layers this means very fast times - as little as two minutes. For thicker impasto's, longer times are needed for the heat to thoroughly penetrate the paint. Genesis® Oil Paints require adequate drying time and temperature to deliver the flexibility and resiliency necessary for the longevity of your work. Remember to dry the paint long enough for the heat to fully penetrate the depth you have applied. While it is possible to damage Genesis® Oil Paints by overheating, it is easy to prevent by keeping the heat source at least one inch away from the paint. The drying process is not reversible. After Genesis® is dry, it should not be dissolved. To dry fully, Genesis® Oil Paints must reach 250°F to 280°F (121°C - 138°C) for several minutes. Bringing the paint to this temperature without overheating is important. The Genesis® Drying Gun has adjustable temperature settings appropriate for working with the paint. Keep the gun an inch or more away from the canvas to prevent scorching the paint or canvas. Genesis® Oil Paints dry better at the recommended temperature range applied for a longer time rather than through extreme heat brought to bear quickly. If you see smoke or fumes coming off the canvas or notice small bubbles forming in the paint, you are overheating. If you do happen to overheat the paint, ventilate the work area and use less heat either by lowering the gun temperature or by holding the drying gun further away from your work. With practice, you will also learn to dry an isolated area so that you can try a change in colour or add a detail. With the underlying area now dry, new work can be wiped off and tried again until you are satisfied. If you paint in thick layers or impasto's, experiment trying different amounts of Genesis® Oil Paints and breaking them open once they have fully cooled. If they break open easily and have a dry, cracked texture, the paint did not dry long enough for the heat to penetrate or dried at too low a temperature. This is easily resolved by expanding the heating time, and in some cases, by increasing the temperature applied. After you have heated Genesis® Oil Paints, allow a few minutes for cooling before applying the next layer. After a few minutes of cooling, the paint becomes firm yet still quite flexible. About
the GMC Drying Gun If you choose to user other "heat guns," be careful not to overheat the paint. Most high-powered heat guns will destroy any paint if brought too close. Hair Dryers, on the other hand, have too little heat to bring Genesis® Oil Paints to full drying temperature. Read the GMC Drying Gun instructions completely before using. Following the instructions and experimenting on trial samples acquaints you with how Genesis® Oil Paints dry. This helps you avoid damaging your work layer. Larger
Oil Paintings Many artists find success dryi9ng their works for several minutes in a kitchen oven set between 250°F and 280°F (121°C and 138°C). Set the painting on a cookie sheet to avoid getting paint on the inside of the oven. For larger surfaces, explore drying with a radiant heater. Oven Method Preheat the oven to 265°F. Place your painting on a cookie sheet slightly larger than your frame. You may choose to place some small spacers between the cookie sheet and the painting to allow heat to circulate. Leave the painting in the oven for at least 10 to 15 minutes, and allow longer time for thicker works. Remove your painting from the oven and allow it to cool fully before handling or over painting. Never use the broiler to dry, as it is very likely to burn the paint and/or substrate. Cold
Oven Radiant Heat Radiant heaters are readily available in hardware stores and in many general and department stores. They are also available through the Internet and mail-order catalogs. Some radiant heaters have fans to help move the air. Fans might blow dust onto your painting and must be cleaned frequently. Generally,
the heaters have at least two settings. The lower one is generally
about half the heat of the higher one. Experiment with the heater you
choose. We have found several that work very well when placed between
one and two feet away from the painted surface. Because radiant heat
can overheat a painting, it is very important to attend to the heating
process.
Drying
with a Toaster Oven Always place the paintings on the wire rack to help heat circulation. Genesis®
Drying Box Place the painting on stilts or put four pieces of wood on the corners. This helps circulate the heat underneath the painting. Set the heat and fan on high. Heat for 15 to 20 minutes. When drying a large painting, make sure the substrate will withstand the heat. Use good quality canvas board with a strong backing. Some canvas board withstands the heat, but tends to buckle or twist when a large piece is heated. Gesso hard board, made of hard masonite support and stretched canvas will dry evenly when where the canvas covers the wooden frame. Adhesive thermometers can be used to measure the temperature of your painting when you are drying with any source of heat. By sticking these on to the back of your canvas, you can be sure the proper temperature is achieved. More dense surfaces might require experimentation to find the best position of temperature indicators. These non-reusable strips change colour to indicate the temperature reached. They can be used several times by taking the temperature to 250°F during the first heating, to 260°F during the second heating, and so on. Some artists also cut the strips in half to use them twice. A useful range is the TL-8-250 that measures temperatures between 250°F and 320°F, or Set No. 4 that measures between 240°F and 280°F. Storage Palettes
and Work Surfaces After mixing a colour you like, you don’t need to keep air away to prevent drying, although you should protect it from dust as you would any wet paint. Use clean glass jars for this. Do not cover Genesis® Oil Paints with plastic wraps because some of the ingredients may migrate from the paint to the plastic if they touch. Using
Other Mediums with Genesis® This is important, so we repeat: Genesis® Oil Paints are not intended to be mixed with other paints such as oils or acrylics or with water. Other mediums have a very different chemistry than Genesis® Oil Paints and results can be unpredictable. Preparing
a Surface Other Than Canvas Use any surface that you would use for oil paint. However, make certain to prime with an acrylic gesso. A rabbit skin glue sizing is not satisfactory. Do not use any unprimed or porous surface. •
Avoid contact with eyes For further information, Call us on +61 8 9404 5032. |
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How
do I clean up? To
what does it adhere strongly? Are there supports – or
undercoats – to which adhesion is poor? How
can I describe the medium to jurors and customers? How do I classify it
when entering a show? Can
I use a Genesis® Drying Gun on a large canvas? Why is it sold in jars rather than
tubes? Can
I use rabbit-skin glue to size my canvas? Do
I need to varnish to protect my work when it is complete? More questions? Call us on +61 8 9404 5032 |
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Genesis Art Supplies Pty. Ltd. Email: info@genesisoilpaints.com.au |
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